CONTRIBUTOR

Liv Buli

I use data to decipher the business of music.

My name is Liv Buli, and I write stories about music and data. I learn like crazy at Next Big Sound, working with an awesome team of designers, data scientists, engineers, and more. Music is a quirky and awesome beat, and I get a kick out of juxtaposing art and numbers. I have been lucky enough to travel all over the world talking about what I do – from Brisbane, to Chile, to NYU classrooms. Since I love talking (my mom always says I should have been a lawyer or a politician) I am always happy to give my two cents. I have had the pleasure of being invited to speak and participate in panels at SXSW, CMJ, Music Biz, Future of Music Policy Summit, SF Music Tech, BigSound, ByLarm and more. Lately I am starting to think more and more about how to visualize data in simple, elegant ways to build better stories. In my mind, the best data journalism strikes a balance between finding (data science), showing (data visualization), and telling (journalism) a story.

  • 米人気バラエティ「カープール・カラオケ」 起用楽曲が軒並み大ヒットに

    アップルミュージックが7月、CBSテレビの深夜のトーク番組「ザ・レイト・レイト・ショー」の人気コーナー「カープール・カラオケ」の放映権を獲得した。16エピソードを放映する契約だという。このコーナーは絶大な人気を誇っており、その恩恵は司会のジェームズ・コーデンのみならず、コーナーで歌われた楽曲にまで及 ...